Gustavo Dudamel

I love to read different books on completely different subjects at the same time. I cannot focus on one. I read a few pages of literature, then I jump to philosophy and at the same time I'm reading biographies of Mahler.

I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.

I set out to create a means whereby music could be a way of vindicating the rights of the masses.

It's a physical challenge. It's a spiritual challenge. I'm studying almost every day a different symphony, not returning to any one for a week.

Recently, I went to a disco with friends, and all the young people were saying, 'Dudamel, we want to go to your concert, but it's impossible because it's sold out.' It's really amazing.

Of course, we also have to play in concert halls. This is our dream when you are a musician - to play in a good, comfortable hall with a wonderful acoustic.

I love to travel, but sometimes it's nice to stay in one place.

You have to believe that things will happen, you have to work and love what you're doing.

A friend gave me a CD of the 'Pathetique' Symphony as a Christmas present. I went home, and I put on the CD expecting to listen to Tchaikovsky. But it started 'ta ta ta taaa.' It was too long for me. I didn't understand it at first, but then I fell in love, in love, in love.

It's not that people don't like classical music. It's that they don't have the chance to understand and to experience it.

My material life is simple.

People say that having three orchestras is a crazy life, but it's better because you have three families. I want to have my own kids very soon. In future, I still want to conduct a lot, but less, to be with my family.