Ira Glass
Journalist United States 1959–present
71 quotes in the archive
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It's not a terribly original thing to say, but I love Raymond Carver. For one thing, he's fun to read out loud.
Where radio is different than fiction is that even mediocre fiction needs purpose, a driving question.
I was a semiotics major at Brown, and there's this idea that stories are better, books are better, and movies are better if they cocked you off your axis and you were completely disoriented and you'd really have to rethink everything. Nobody has that experience, actually.
When I started 'This American Life', one of the reactions I got was, 'When is the adult going to show up who will host the show?' At some point, people just got used to it.
I feel like in an interview situation, it's a kind of intimacy that I can understand and handle - versus in real life, when I'm much more of a bumbler and have a hard time.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
Honestly, I find the analysis of dreams is one of the dullest things. I say this as a therapist kid. I find them deeply uninteresting, as a window to the soul.
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
I hate dream sequences in movies and T.V. shows generally for their heavy-handed symbolism and storytelling tediousness.