Jenji Kohan

I don't set out to write female lead shows, necessarily. I like deeply flawed characters. When they come to me, or when I'm introduced to them, I follow the stories and the people, rather than setting out to do a female lead thing.

My ex-boyfriend said, 'You have a better chance of getting elected to Congress than getting on the staff of a television show.' Which was the perfect thing for him to say, because my entire career is, 'Well, screw you.' And we broke up.

Mainly, I'm doing my thing, and I hope people like it. I don't say, 'I'm going to write something radical and hope it reverberates throughout society.' The goal is to write a solid, entertaining, engaging show.

It can go two ways with girls: They either bond or eat each other alive.

Be nice' is my family's basic rule but one that often goes unfollowed in Hollywood. There's always a moment when you can choose between being snarky and being kind. I opt for the latter - it's much less exhausting!

I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.

Personally, I like to yearn a little and long for the next episode. On the other hand, I'm also a glutton. My kids love to dive in and eat whole series at once.

When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.

My first job is to entertain, but if, while you're enjoying, you start to question something you never thought about before or empathize with, relate to, love someone you only thought of as 'other' once upon a time - how awesome is that.

For a lot of people, film is still the dream - the captive audience in the darkened theater - but I love TV. I think it's fantastic.

I think great writers should write great shows, and I have trouble with, like, what you are in life shouldn't automatically make you what you do in your art. It doesn't necessarily translate.

I'm never going to look like a Nordic model, so I play with what I've got. Instead of going gray, I dye my hair bright colors; I have bad vision, so I wear sparkly glasses. I embrace that I look like a crazy lady.