Jillian Hervey

The people that have inspired me the most were dancers and choreographers. Even growing up, if I dealt with any pressure to be a certain way, I knew that as an artistic lane, dancing was the one that was a little more freed up - like, no one in my family is really doing that; I can be that person.

I love vintage Chanel and Prada. When I was growing up, my mum had a Prada backpack, which she's now given to me. I love it because it reminds me of when I was little.

I think for women, especially women of colour, hair has so much to do with our identity and our confidence levels. I've made a conscious choice after growing up and feeling insecure and trying to achieve this look that actually wasn't me, where I've finally stopped relaxing my hair and went back to my natural texture.

I think anytime with your mom, whether she's famous or not, you're watching what she's doing when you're growing up. She also taught me the basics: Make sure you use a good moisturizing shampoo and conditioner, and then use a detangler to comb through your hair. And don't overdo the heat styling.

For me, it's about being comfortable... but I can feel comfortable in a thong leotard and on stage. Growing up as a dancer, that's how I'm comfortable in my body. It's about where you grew up and those things; it's a way of communicating your spirit to the world.

I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.

I went through so many phases when I was young - surfer girl, tom boy, punk - but they weren't mistakes, just moments.

I think I'm confident because I'm free, I challenge myself, and I stick to what I do.

I've been dancing since I was two, learning so many different styles. I like dancing to rap and hip-hop, but also the Strokes, the Hives, and the Vines with carefree randomness. There's always a way to move to something.

I studied structured improv, where you start from one position and see where it takes you. I like spontaneity. If you set yourself up to do the same thing every night, you may not connect as well to a different audience.

As a dancer, you're told not to go into it for the money.

I grew up as a dancer, and music and dance are so closely tied that in ballet class, you're listening to all this classical music, and in modern class, you're working with a live drummer. It was something that always made me feel really comfortable, and I've had a connection to since the beginning.