Jim Sarbh

When a film does well, everyone is usually happy and grateful, but for me, the impression the film leaves upon my mind is created during the process of filming; my memories are not a reflection of critics' reviews and box office figures.

It is important for an actor to play different roles.

Memorizing the song and singing it are two different things.

I like going with the flow.

I try to conserve water and avoid plastic as much as I can.

In 'Jonaki,' it isn't about the individual actor. The actor is as important as the wall, or the water flowing down the wall, or a shadow. That kind of acting is also fascinating to me, not to be invisible necessarily, but to be in perfect synchronicity with the environment.

It occurred to me that actors are selfish, and they think that the world revolves around them. For one year, I quit, and I went to an ashram in Bihar and went to Himalayas backpacking.

Strangely, or maybe not so strangely, a lot of the roles that I am offered are of Muslim characters, maybe because I looked a certain way in 'Neerja.' But I am actually Parsi.

When you are not successful, nobody listens to you.

It's nice to get compliments from both girls and guys.

I'm just glad to be part of groovy films.

I was afraid that I'd be typecast as the token firang. That happened initially. Now, I am acting in 'Noises Off' and 'Menagerie,' where all of us are playing British and American characters. That makes me feel better.