John Corabi

I love trying new things and experimenting with instruments and sounds.

I love bands like Queen, Zeppelin, The Beatles.

That year, the year after being in Motley Crue, was very difficult. But I learned, and I coped with it. And life is good still.

I don't know what he wants to do musically, but at the end of the day, I love Mick Mars - he's one of the sweetest human beings you'll ever meet in your life - and anything I can do to help him with his solo record, I would be more than happy to do.

Unfortunately, the record I did with Motley wasn't exactly a huge success. But working with those guys was a huge learning experience as well as a really creative time, so I had an absolute blast during that five years of my life!

I love giving you my opinion, but I don't like taking sides.

Motley never once sat down and said, 'Well, the music scene's changing. We need to make this record a little darker or heavier musically or lyrically.' It was just four guys sitting in a room like a bunch of 16-year-olds in a garage and jamming on riffs.

Looking at it half-full, there was only two singers in Motley, me and Vince, and I'm still here, 25 years later. And whether I like it or not, I'm the other singer for Motley Crue, and not to sound weird, but I've gotten a lot of extra mileage, I think, out of my career because of it, so I have nothing but positive things to say.

Unlike a lot of my cohorts from the '80s and '90s who totally blamed the shortness of their careers on bands like Nirvana and Alice in Chains and Soundgarden and whatever, I was very into a lot of those bands.

The bands that do well don't get caught up in fads; they are just true to themselves.

Everything happens for a reason. Like, I kind of hear people go, 'Man, you've been in a lot of bands.' Yes, I have. I've also been married several times, too, and every time I get into something, I think, 'This is the one.' I think that's just human nature.

We did wanna change the name. We were actually putting names in a hat. It was the people making an income off Motley Crue that talked us out of it. The booking agent was getting them between a half a million and a million dollars a show as Motley Crue. Then there was the manager who got 10 to 15 percent off Motley Crue.