John Darnielle
Musician United States 1967–present
68 quotes in the archive
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If I go see a band, and they play, like, zero from any of their old albums, I'm very happy about that. I do not want to see the bands of my youth playing the songs of my youth. I hate that.
For years, I've written narrators who aren't gender-identified. When I do autobiographical stuff, that's different, obviously. But I've always tried to keep my songs as potentially not a man's thing.
I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me.
I am permanently a student of people who make great songs, but besides sort of learning by absorption, I just love listening to music, hearing what's going on, hearing new things or new old things.
John Darnielle
I've written a lot about southern California, but I don't use the same characters. Leave the people in the songs in the songs, is my philosophy.
To me, the only good reason to be touring is if you still have something good to share instead of just revisiting past glories.
Most of 'All Hail West Texas' was written during orientation at a new job I had. I had basically worked this job before, I knew this stuff, so I was writing lyrics in the margins of all the Xeroxed material.
A band's first album's usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
Younger songwriters will ask me, 'What did you do?' And it's like, 'Well, I worked a day job, and I didn't stake anything. I didn't quit my day job. I didn't have any hopes at all. I just did the thing that I believed in, and I waited a long time.'
There's the dual challenge of wanting to speak from an authentic place, and then being able to be honest about it. Even in the most mannered art, I think that's what people value, is a voice that comes from a real place.