Joshua Cohen

Say you're an American novelist, published by the largest publishing house in the world. Their goal is to make as much money from you as possible, to have as many people read your book in as many formats as possible. How can you hope to speak intimately to the numbers of people that represent the book sales required?

Each and every novel is a world outside the world - for a reader to visit, for comfort, consolation, escape, or challenge.

I've never been able to shake the idea of family, which is to say I've never been able to shake my family. Being membered - being one limb of an immense grosser body - that's always been a fact to me.

All of business and all of politics is essentially fiction to those who live them. I have more experience with fiction than most senators because I do it all day, so their world didn't seem that foreign to me.

Religion,' I should note, has a disputed etymology in Latin: some say it's from 'relegere,' meaning 'to reread', while others say it's from religare, meaning 'to connect' or 'link.' Literature is life's fastener.

To outsource your memory to machines - which is what many of us do with regard to our use of search engines - seems to me to be fairly antithetical to the basic qualities of Jewish life that have kept the Jews alive for so long.

Taking trains and trams in Berlin, I noticed people reading. Books, I mean - not pocket-size devices that bleep as if censorious, on which even Shakespeare scans like a spreadsheet.

Most novelists are narcissistic egomaniacs who would probably fit somewhere on the CEO spectrum.

I've never enriched myself via privatization schemes in Eastern Europe.

The problem is Jewish-American fiction that always ends with assimilation back into the community.

Books were in my family - books were my family.

Writing is a conviction before it is a craft.