Khaled Hosseini

One of the things novels should do is shine a light on those parts of us that are common, the fibres that connect all of us. They should convey the sense that we're all connected, coming from the same tree, sharing common roots.

Everyone is an ocean inside. Every individual walking the street. Everyone is a universe of thoughts, and insights, and feelings. But every person is crippled in his or her own way by our inability to truly present ourselves to the world.

I remember reading 'The Grapes of Wrath' in high school in 1983. My family had immigrated to the U.S. three years before, and I had spent the better part of the first two years learning English. John Steinbeck's book was the first book I read in English where I had an 'Aha!' moment, namely in the famed turtle chapter.

My memories of Kabul are vastly different than the way it is when I go there now. My memories are of the final years before everything changed. When I grew up in Kabul, it couldn't be mistaken for Beirut or Tehran, as it was still in a country that's essentially religious and conservative, but it was suprisingly progressive and liberal.

Ultimately, my books are not about the politics, although the toil and the struggle and the wars in Afghanistan have a significant impact on the lives of my characters.

My freshman year in college, I got a job working security. This was a high-tech building in Santa Clara, engineers coming in and out all the time.

Everything for me starts very small and snowballs. So I rarely start with the grand idea and find a place for it and narrow down. It's, really, just start small, and as I'm writing it, I begin to see - sometimes to my own surprise - what's unfolding and what's blooming.

The only two places where I can read for long stretches are in airplanes and in bed at nighttime.

I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films.

I'm glad I wrote them when I did because I think if I were to write my first novel now, it would be a different book, and it may not be the book that everybody wants to read. But if I were given a red pen now, and I went back... I'd take that thing apart.

The difficulty of writing a second novel is directly proportional to how successful the first novel was, it seems.

A Western-style democracy in Afghanistan is a dream. I don't see that as a reality anytime soon. But I think some form of representative political process is not that far-fetched.