Lawrence Osborne

I read Gide's 'The Immoralist' over and over as a teenager. I was obsessed with it. It's written with such simplicity and dread, and the desert, the shabby colonial world, is brought right into your consciousness without being over-explained.

I don't know where this thing about me being a travel writer comes from. It's nothing to do with me; I hate travel writing. I don't do it - I do it a little bit, but not much. I don't believe in it. I think it's over. The world is so saturated now that you don't need it.

I love the novel as a form, as an adventure of mind and soul. Really, I absolutely love writing them; they consume my days and nights - what can I say? But I am an avid film student, too: I watch a movie every night.

I've got everything against likable characters. Likable characters are usually completely forgettable, and we don't really care. I think we love villains... precisely because they show us these disturbing complexities that I don't think nice characters do.

I still miss qualities of Khmer life that are hard to quantify: the slow, sensual pace, the hovering presence of the past, the vast skies filled with terrifying and beautiful butts. And, of course, the food.

I'll wager there isn't a human being on earth who doesn't believe in luck, however rational they pretend to be in public life. In reality, most of human life is luck - and, of course, its darker, more prevalent opposite. One only has to live long enough to experience both.

In 'Snow for Mother', a mother waits for her little boy to grow up so that she can take him to Alaska to experience the real snow, which he never knew as a little boy in the tropics.

Boredom and sexual desire are a potent and explosive combination, and people will certainly risk their lives to exit a grey and boring life.

That's all you do in life: you find your perch, and if it suits you, just carry on. There's nothing Graham Greene about it.

I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.

I've spent most of my adult life in the United States, and there the celebrity culture has been entrenched for a long time. It has made people almost literally insane, even those who make a great show of repudiating it. Those people, like novelists, who can no longer enjoy this status are condemned to despise it.

Studies in the emerging field of cellular bioenergetics, a branch of biochemistry concerned with how energy flows through living systems, suggest that molecules from orchids might be able to repair decaying mitochondria, the powerhouses of cells, in humans.