Lesley Manville

With learning lines, before I had Alfie, I'd put it off and think, 'Oh, I'll just have a glass of wine and then do it later,' but when you've finally got a child to bed and you know you've only got an hour, then you achieve so much.

I do get clocked in the street. People say, 'You're an actress, aren't you?' But they don't know my name. Nine times out of 10, they don't know what I've been in.

I'm very lucky because I don't half get some juicy jobs. But I can't tell you the number I've turned down in the past 20 years because I wanted to be at home, looking after my son. There was never any question about that. Alfie and I are dead close. I can't bear it when he's away.

I have been devoted to my son, and there have been lots of jobs in the past that I haven't done because I didn't want to be away from him.

I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.

It would never occur to me not to look dreadful if that's the job description.

I quite like that people tend not to know my name. I remember being at the Cannes film festival for 'All or Nothing.' I looked very different in the film - I had a little greasy bob and no makeup. I went to a dinner after the screening, and everyone completely ignored me. I got a real buzz out of that.

I was champion soprano of Sussex when I was 16!

I completely think of myself as sexual. Completely and utterly. Probably more so than I did when I was 30. I don't know why. I'm very comfortable with how I look. I'm absolutely committed to never having anything done to my face. I would never let anyone near me with a Botox needle.

When I was eight, it was clear I was a very good singer.

People say, 'I know you, don't I?' And they expect me to say I know them from their daughter's school or something - they can't place me. And I love that. Long may it last.

I've reached a point in England where you can't go much further; I would love to come to America and work with some of the interesting directors here.