Lou Doillon

As an actress, you're part of what the director is creating, and as a model, you're representing a designer's vision.

Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare! It's very strange. Acting seems much easier, in fact, because you are putting on a costume - whereas here, you are taking everything off.

The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great. I did a tiny bit in the one school in Paris, and it was wonderful because you'd have a nude taking a crazy position, and you'd have 10 seconds to do a drawing. Then you'd do a one-minute drawing.

I was always the funny-looking girl. I couldn't compete with the Brazilian girls. My nose is off, my ears are too big. But I think it's my personality that these designers were drawn to.

I'm in my father's car at age 9 or 10 crying to Leonard Cohen's 'Famous Blue Raincoat,' thinking that you could write nearly a love letter to a man who betrayed you by having an affair with your wife. I was thinking how wonderful and pure music can be for explaining situations.

With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.

I have a huge scarf from Hermes that I bought the day I signed my record deal. I had never had an Hermes scarf. And I ran to buy one, thinking, 'Now, this is a symbol, I need one, I need an Hermes scarf,' which actually now I'm quite embarrassed about. Most of the time I twist it so much that no one notices it, and just bundle it around me.

I've always found that fashion is, first of all, mainly for yourself. So my two icons are, on one side, Little Edie from 'Grey Gardens' and, of course, like all my generation, I'm influenced by Kate Moss.

What I realized is that the desire for making 'Places' came from the fact that I've got this strange situation with having been born in the glitter, born on the other side of the mirror that everyone fantasizes about.

Luckily, I was raised by a kind of gypsy family, which is why I always get along better with people who worked in circuses than with kids of other actors. My mom was so carefree with us in a beautiful way. We were used to sleeping anywhere.

I think I was pretty much hated in France. The French press ignored me. There was a movement when the children of celebrities faced strong animosity.

I always have lipstick, and use the same lipstick for my cheeks as blush, so that it looks very natural. It's a good trick I learned from my mother. I like NYX or MAC because they have a lot of pigment and they're matte.