Lynsey Addario

I didn't want my gender to determine whether or not I could cover breaking news.

Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there.

I didn't know a single female photographer who covered conflict who even had a boyfriend, much less a husband or a baby.

By the time the United States went to war with Afghanistan in the fall of 2001, I had made three trips to the country. I covered the fall of the Taliban in Kandahar and have been returning routinely for the past 14 years.

You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. The first is to stop and identify yourself as a journalist and hope that you are respected as a neutral observer. The second is to blow past the checkpoint and hope the soldiers guarding it don't open fire on you.

I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact.

I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day.

My job is to take the pictures, communicate a message, to bring those images to the greater public through whatever publication I'm working for. My job is really to be a messenger, and that's what I've been doing.

I was kidnapped by Sunni insurgents near Fallujah, in Iraq, ambushed by the Taliban in the Korengal Valley in Afghanistan, and injured in a car accident that killed my driver while covering the Taliban occupation of the Swat Valley in Pakistan.

In a place like Afghanistan where the society is completely segregated, women have access to women. Men cannot always photograph women and cannot get the access that I get.

Most people, when they meet me, one of the first things they say is, 'Why would you voluntarily subject yourself to war? Why would you go into these places where you know there's a risk of getting killed?'

I think it's important to have perspective and to look at what you don't necessarily want to see.