Michael Franti

I took a trip in 2004, a year after the war started in Iraq. I played music on the streets of Baghdad for Iraqi civilians. I'd also play for U.S. soldiers at night when they were off duty in the bars. Then I would talk to people, and I would film them and ask them about their life and the conflict.

I don't know if it's so grand that I can change the entire world, but I know that I can help one person. So that's the goal.

I went to Iraq because I wanted to see what one year of occupation had done to Iraqi society, and I went to the West Bank and Gaza Strip because I wanted to see what three generations of occupation had done to Palestinian society. I found a lot more hopelessness and despair in Palestine.

My greatest sense of accomplishment has come from having two amazing sons, but it's also a paradox in that the times when I felt like the biggest failure have been times when I felt like, as a parent, I wasn't making the right decisions or succeeding in the way that I should.

The more places I go to, the more I realize I understand so little about the world.

Through music I either tame my demons or unleash them and allow them to be what they are. I don't want the music to be about provocation, I want the music to bring you to a place where you feel at home.

Collectively, we activists are essential to advancing U.S. policy to help empower marginalized people to lift themselves and their communities out of poverty for good.

Johnny Cash was a rebel, not only just in the musical sense, but he was somebody who was for the people, and an advocate for labor, for workers, for prisoners, people who have been trapped by the criminal justice system.

To sit back and say, 'Oh, we're going to let the government do whatever they want, right or wrong,' is giving up.

The music industry has been hijacked by corporate interests, but the way music affects people and resonates with them hasn't changed.

I'd play music on the street, especially in developing nations where a lot of kids couldn't wear shoes. In order to relate with kids that would be following me barefoot, I would take off my shoes, and they would all laugh at me because I couldn't go three steps without wincing.

The way the music comes to you starts to affect how you listen to music. When you're a kid, it's 'Does it rock? Does it make me feel good? Does it make me tap my feet? Does it make me go to sleep?'