Mstislav Rostropovich

When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.

I know that after my letter there will be undoubtedly an 'opinion' about me, but I am not afraid of it. I openly say what I think. Talent, of which we are proud, must not be submitted to the assaults of the past.

I came to Moscow when I was 5 years old from Baku. To walk all night in Moscow will bring back my youth to me.

Now I want to use money in a good way. I make foundations back home in Russia, I have sponsored vaccinations for more than one million children in my homeland and I have founded scholarships in the names of my great Russian compatriots - Oistrakh, Richter, Gilels, Shostakovich, Prokofiev and Schnittke.

Every man must have the right fearlessly to think independently and express his opinion about what he knows, what he has personally thought about and experienced, and not merely to express with slightly different variations the opinion which has been inculcated in him.

My mother carried me for 10 months. I asked her 'Mother, you had an extra month, why you didn't make me a beautiful face?' and mother told me, 'My son, I was busy making your beautiful hands and heart.'

You must play for the love of music. Perfect technique is not as important as making music from the heart.

It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.

All my life I wanted to play music with love to every member of the audience.

I like coming to the United States because the United States played an important role in my life.

In 1948 the first severe crash occurred in my life when Stalin put out his decree on 'formalism.' There was a bulletin board in the Moscow Conservatory. They posted the decree, which said Shostakovich's compositions and Prokofiev's were no longer to be played.

You know creators, composers, need a palette for life, a color for life.