Orlando Jones

Anytime you have a family member getting out of prison, there's always drama.

Ultimately, the core premise of 'American Gods' is, 'What do you believe?' And how your beliefs can be manifested into reality.

Sometimes I'm more inspired by stuff that tells a story and less inspired by stuff that's not a natural extension of what I'm already doing.

If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.

I think it's impossible to be a young black male from the South, born to an era I was born in, and not have a clear sense of what race really means in the country.

I've been in fandom for a really long time. Back in the day, you had to go to a con to engage in fandom, and that was really the only way.

In New York, people are pretty cool, and you don't catch a lot of grief. But in certain spots, man, it's over. If I stand in the same place for more than 20 minutes or 10 minutes or something, there'll be 40 people standing there, all screaming something different.

With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.

Machinima has just been stupid-amazing. They're incredible. It's been exciting to work with them, and I hope to do it for a long time.