Patti LuPone

All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.

The theater is a tough place. It's not cushioned the way it is in film and television.

New York seems to be thriving, which I'm grateful for. But I would hope that they would figure out how to negotiate the traffic and limit the pedicabs, because it seems to me that it's becoming a more chaotic city.

I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.

It's not easy being an actor, and having said that, everybody's an actor. Do you know what I mean? Paris Hilton's an actor, which is kind of scary. But if you want to honor your craft and yourself, strive for the nobler instincts.

My favorite band was The Band, and nobody compares in my mind with The Band.

The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.

To be nominated was enough, but when I won I the Tony I just felt relief.

Anybody that goes to the theater, I think we're all misfits, so we ended up on stage or in the audience.

My favorite composers are the ones that tell the story. I love Wagner. I love Mahler. Prokofiev. The programmatic music. I listen more to classic rock because I don't like the contemporary music very much.

I love what I do, and I love the audience, and I love the fact that I get to do it, and I love, I love our craft very, very, much, and it's a noble craft. We have a responsibility to it, and to the audience, and to the playwright, and to the message. I won't ever care less.

I just love chickens.