Peter V. Brett

I think each book sort of finds its own theme as it goes on. 'Warded Man' was fear. 'Desert Spear' was exploration of the other. 'Daylight War' was relationships. Some of this is intentional, and some of it evolves naturally. The series as a whole is obviously something I have given a lot of thought to, but each book is its own animal as well.

When I made the decision to really get serious about my writing, I set myself a goal of 1,000 words a day for seven days. If I got to 7,000 words before Monday I could take a day off, but I had to get there. I had to do that every week.

Tolkien is considered the grandfather of fantasy and, for me, I consider myself the grandson, with Terry Brooks as the kind of crazy uncle of fantasy, being the one who brought me into it.

I think George R. R. Martin made fantasy grow up. He brought a level of reality into the storytelling where you realize the good guys don't always win and anyone can die, because that's how life works. Bringing that level of reality into the story I think forced the genre to mature in a lot of ways that it hadn't prior.

I was heavily influenced by J. R. R. Tolkien, George R. R. Martin, C. S. Friedman, Terry Brooks, Robert Jordan, R. A. Salvatore, and James Clavell to name a few, but of course every book I've ever read, whether I liked it or not, has had an influence... I think I am constantly evolving as a writer, but not to mimic anyone else or mainstream trends.

My breakthrough was when I began to write during my commute, at first taking notes on my Palm Pilot, and then moving on to writing full prose on the tiny QWERTY keyboard of my iPaq smartphone. I got so fast that I was averaging 400 words during the 35 minutes or so I spent on the subway each way, or 800 words round trip.

I read every review online, and I want to respond to those, but I resist the urge to do that.

There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.

The ward designs were co-created by myself and Lauren K. Cannon. She read how they were described in 'The Warded Man,' and we had long discussions about what sources to draw from for the symbols, drawing inspiration from Arabic, Japanese, Chinese and Sanskrit.