Rebecca Serle

No love story ends or begins out of accordance with how it needs to go.

When You Were Mine' is about heartbreak.

The truth is there are people who love horror movies. I don't happen to be one of those people.

I fell in love with the young adult space watching 'Dawson's Creek' and 'Roswell.' I've been a fan my whole life, and it was always a dream of mine to contribute to that area.

I used to think that if I was ever so lucky as to get a book deal that I would write all the time. All day, every day. I'd write three books a year. The truth, though, is that writing all day isn't really feasible. I could do it, but I'd be folding in on a lot of other aspects of my life, things I care about. And I wouldn't be happy.

I used the second year of my MFA program to write a young adult novel and began pursuing picture books as well. I loved the economy of this art form, choosing, with pristine attention, the exact right words to tell the exact right story.

It was always a dream of mine to create a show.

For many writers, selling a book is the ultimate dream.

Goodnight Moon' is a staple of any nursery bookshelf. So, too, are 'Harold and the Purple Crayon' and 'Madeline.' These books are just as much a part of mainstream reading culture as 'The Catcher in the Rye,' and they are passed down from generation to generation.

The first thing I thought when I finished Ernest Cline's 'Ready Player One' was, 'My God, it's the grown-up's 'Harry Potter.'' Now this is from a mega 'HP' fan, so I mean business, here.

I often lament that new picture books don't get read because the classics hold up so well. It's a ridiculous complaint because, um, the classics hold up so well.

The idea that success is limited is an easy one to believe. We buy into it, and often without even thinking. There aren't enough resources. Something for you means less for me. I understand it, too. It's the give and take of the human experience. If you have the apple, I can't then hold it at the same time... or can I?