Ronald D. Moore

This is my philosophy since 'Star Trek' and 'Battlestar': You have to be willing to have fandom hate what you're doing or love it and not care either way on a certain level, because you cannot become a slave to their emotion or their vote. It's not a democracy, as I'm always fond of saying.

I started my career at 'Star Trek,' and that had a huge, very vocal fan base.

I think I started watching 'Trek' in the mid-'70s when I was in elementary school, and I was just into space. Somewhere along the way, I started realizing there were really interesting ideas in the show.

What got my interested in science fiction was actually the American space program.

Looking back now on our workload, I just shake my head at our pace. 'Star Trek: The Next Generation' was my first series, so I didn't know anything about that when I started. I just assumed it was normal to make 26 episodes a year on a seven-day shooting schedule.

I was very pleased with the way that the show ended creatively and personally. It just feels like we've completed the piece. And now to be able to step back a little bit and look at it from beginning to end, I feel good about the complete story that is 'Battlestar Galactica.'

The original 'Star Trek' is very much a product of the '60s - the new frontier, optimism, the idea of bringing democracy to the galaxy. It's still a timeless show, but it's very much a show made in the 1960s.

I felt that 'Deep Space' was the way to do a spin off series of an existing franchise where you really are doing a very different show. It's a different format. It's a different feeling.

Some of the storytelling we did in 'Battlestar Galactica,' to graft that onto 'Star Trek,' it would have required changing the entire format of the show and, really, a different taste of the show.

Romance classically has tragic underpinnings to it.

The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's all one long thing - and when you can kind of do this interesting mixture of episodic and serialization, you can kind of take the audience on a more interesting journey.

It's been an old saw in science fiction for a long time, since 'Frankenstein,' that we're going to create life that's going to turn on us.