Ronald Frame

I've actually got quite a good memory. I've good recall. It's often things which other people might not notice.

Some people say that you should read people who think completely differently from you so that everything you read and everything that they say is a challenge to you but there's something to be said for reading people where you think, 'Yes, that's how I would have said it if I could have found the words for it'.

Ghost City' was actually one of the few instances of non-fiction that I had written, and I felt that I probably said what I wanted. I think it must be different for every author; I haven't done very much of it, and perhaps, in a way, I found it rather painful, which is why I don't really do it very often.

Sundays in my teens were spent on homework: from 8 am until at least 8 pm, with stoppages to be fed and watered. I was carrying up to ten subjects simultaneously.

I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there.

What appears on the page comes out of your experience, and no-one is going to see it in quite the same way - so, that being so, you're already doing something in a thoroughly individual and idiosyncratic way anyway.

The funny thing about writing is, although you are writing about an experience which only you have had, you are trying to welcome other people into it, and there are ways I think of doing this, and one of them is through the senses, through the sounds and the smells.

I can remember somebody once saying to me that they thought my life must be less real than these other people that they were writing about, which I found a very peculiar thing 'cos all our lives are equally real, and it's just a matter of depicting them and talking about them.

Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.

For ten years, I went to piano lessons. I don't think I'm a very musical person, and the theory quite defeated me, but I had a freak aptitude for Debussy and Ravel.

As a writer, you need a strong sense of self-belief. And when it comes to writing, I've always had that.

At the age of nine, I could cross the length of Glasgow on a succession of buses, wearing regulation garter-topped stockings and compulsory cap and - if I'd done well enough to earn the honour in last week's test - with a First World War medal on a striped ribbon pinned to my brown blazer. I must have looked like a chocolate soldier.