Scott Speedman

I don't think I would be getting any of these movies without that show, and that's a strong show, a great fan base and it's helped me out a lot. It took me out of Canada and brought me down to the states and gave me my career basically.

You do a good job in something, and that's your box for a minute. It's up to you to keep reimagining that box.

Well, when I did Underworld 2, I was in Vancouver for five months and I was reminiscent to be back up there.

There's nothing worse - I don't like listening to actors talk about the process, especially when - I mean, for me I've played a lot of guys, dudes, boys in a sense and this was a challenge for me just to play that official character.

And when I have lived elsewhere, every two weeks I have to fly back to LA. Even New York directors go there to audition. So I have to be there to a degree.

I enjoy played flawed men who are pushed to the limit, who make mistakes and then have to recover.

Every actor I know - any reasonable actor I know - is complicated. What you see and what they are, those are two very different things.

Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.

Actors, I find, are generally happy to be working.

And once you cease to be a real person, you stop being a good actor.

You've got to just go do what you do - you can't really worry about who was attached to the movie before.

I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.