Stephanie Sigman

I liked the whole process of creating on set. It's almost like creating magic. The work that the camera guys are doing at the same time, the lighting... all of the people working in their departments to make one thing.

I want to continue working in Mexico, but I'd also like to work in other countries eventually, too. Working behind the camera is interesting for me, too.

That's the best way to work on a project: talk to the director. In the end, it's the director's idea of how they perceive the movie and how they perceive the characters.

Films are a very personal experience - just like a martini - so I try to think about what I like, what projects I like to be in, and make sure I feel proud about it because, at the end, I'm the only one that's going to look back and feel proud or not about what I was doing.