Steven Knight
Director United Kingdom 1959–present
60 quotes in the archive
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I think there's a tendency in England, when you look at the past, to either have upper middle class period drama with its own rules, or if you're going to look at working class people, you have to do that in a particular 'Isn't it a shame, aren't they oppressed' way, or it's treated comically.
I write about what worries me and, hopefully, things worry me a little bit earlier than they do some other people, purely because I am a writer and it is my job to go out there and be worried by things.
I think there is something about a good person doing bad things for what they consider to be a good reason. Then the battle is on to almost prove to the audience that it's justified. How far can you go with that? How far can that character go before people won't accept it? Trying to walk to edge of that line is a challenge.
I remember going to Birmingham City matches as a kid and there were these other kids in Small Heath who had their own odd, partly Scouse accent.
Locke' is a different way of making a film as well as being a different sort of film.
There's lots of different ways of writing stuff and lots of different mindsets to have, but I think when it's your own creation, it's more pleasurable because you have total control.
I am definitely going to continue directing, but I am always going to try to explore new ways of making films. It really is possible to make films in different ways.
Peaky' has attracted a lot of attention from different disciplines in the arts. It was originally going to be a ballet, which is Ballet Rambert, and there is also a lot of music artists who offer their music to the show to be used on the soundtrack.
It's good sometimes to have a character that starts as one thing and ends as another, but James Bond, Hercules, these are pretty enduring stories.
It's such a gift when you know who you're writing for and you know that that actor is capable of so much that you can relax a bit.