Tituss Burgess

I enjoy my alone time, but I'm an open book.

I'm obsessed with the 'Real Housewives ATL,' sorry about it. It's one of my favorite shows of all time.

I had this one audition - I won't say the casting director's name, but she was on the phone the whole time I sang. I was literally doing my audition, and she was on the phone. So I guess whatever it is she was ordering for lunch was more important than the high C's I was belting out.

One thing I refuse to do is force it. So I've canceled many auditions because nothing has come up, and I don't want to waste anybody's time. God forbid they outright give it to me and I don't connect with it.

When I need to exorcise a demon, I grab whatever score is going to house the song I need to sing out of my system, and I sing it.

I worked at Ruby Foos early on as a host. I was only there for a little bit, but I had several odd jobs to pay the bills before that. And being in New York for the first year, I got here in 2003, and it was a very exciting but very scary time not knowing how you would make ends meet and me trying to meet people.

The critics are not writers - they're not a part of the creative process; therefore, they should not influence how I go about doing my next bit of work.

I have always thought to do my best work.

I will work for Tina Fey forever.

I am one of the lucky ones, to work with comic giants.

Here's what I'm going to say about that: my personal thought about the brilliance of 'Peeno Noir' as proven by the fans' appreciation is that, when watched back, what makes it so exciting is the random locations and the random costume changes and the multiple shots that we've done all over the city.