Trevor Noah

I've always been a fan of issues around race and racialism, and I've loved playing with it. People act as though it isn't an issue, but it's a recurring theme in our lives globally.

The truth is, people don't know me. When people don't know you, they're going to try to get to know you as quickly as possible, because you're now taking the place of somebody that they love dearly, or somebody that they hate sincerely, and so they need to know who you are.

I live in a country where I'd say nine out of ten people know me when I walk through the streets. There's people taking pictures, there's tabloids trying to make up stories. I'm used to that. The same thing when I'm in Australia or the U.K.: I get stopped.

Maybe it's because I come from a very utopian world of being a comedian, but I'm used to many live comedy performances going on in any city I'm in, and each of us is trying to be the best at what we do. I don't think of it as a competition so much as a thriving comedy economy.

If I'm doing something on stage, and it evokes an emotion, then I might show that emotion, but I also don't believe in being a preacher. If you have a point, that's a bonus. But the funny has to come first; otherwise, you shouldn't call yourself a comedian.

The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.

When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice, you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.

If you look at it, the history of comedy has always been strongest among the nations who have been persecuted the most.

Nobody owns comedy. Nobody owns a premise. Nobody owns an idea.

Comedy is really getting quite popular in South Africa.

I want my audience to be my friends - that is when they will get the best comedy. If they see me as a performer, they won't get the best show.

I was doing a show at the Comedy Store which Eddie Izzard saw, and we chatted for a bit afterwards. I didn't really know he was; we just hung out as comedians together, and when he heard my story, he said, 'Why don't you tell that on stage?' I didn't really want to burden people with all that, but he said that I could have fun with it.