Warren Spector

If anything, game development is even more of a team effort than making a movie, so for individuals to get credit for making a game is absolutely insane.

As far as the timing, well, I'd write that off to luck as much as anything - I happened to be out looking for a development deal, and Disney happened to think my team and I might be the right people to make a Mickey Mouse game.

I don't want to make games for 12-year-olds. I have no interest in that. I haven't been 12 in a long time.

In cartoons, in movies, time passes differently. There are flashbacks and flashfowards.

I think the power of the platforms is outstripping the size of the audience. We can't charge $150 for a game. And when the best-selling game of all time has sold only 20 million copies at $60, do the math!

Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.

Finney is about the best writer of time travel stories ever, and I adore time travel stories - have to make a time travel game someday!

We live in a world of virtual goods where none of us own the 0s and 1s. What are you going to do?

Before I got into electronic games, I was making table-top games.

The Wii U is pretty cool, and the thing that I'm most intrigued about it is it's the first gaming platform that actually is exploiting the second screen.

From a gameplay standpoint, I've said for years that hero, fiction, and tone have nothing to do with the idea that choices have consequences. And that's really what I'm interested in. I care about you showing how clever and creative you are.

Everyone at Junction Point has been inspired by the creative folks at Pixar and Disney Feature Animation to make 'entertainment for everyone.'