Alain de Botton

Katie Price is no exception. She, too, is - in a distinctive way - a philosopher. Partially, Katie Price's philosophy is one of extraordinary confidence. She is remarkable not for her looks or antics but because of her tremendous self-assurance and her unwillingness to be intimidated by criticism or failure.

It's clear to me that there is no good reason for many philosophy books to sound as complicated as they do.

I think of myself as quite a shy person. But when I'm curious about something, I'll go quite far to satisfy my curiosity.

Learning to give up on perfection may be just about the most romantic move any of us could make.

We tend to think of philosophies as produced by professional philosophers. Traditionally, this has meant people who have written dissertations on obscure subjects or who spend most of their day in libraries. But every human is, in an important sense, a carrier of an implicit philosophy - evident in their choices, pronouncements and commitments.

The Arab-Israeli conflict is also in many ways a conflict about status: it's a war between two peoples who feel deeply humiliated by the other, who want the other to respect them. Battles over status can be even more intractable than those over land or water or oil.

The idea that one might use art for 'instrumental' reasons tends to set off alarm bells at the heart of the cultural elite, who contend that it's not a pill, that it shouldn't be asked to perform some specific function, especially something as egocentric as to 'cheer you up' or to 'make you a more empathetic person.'

Many moments in religion seem attractive to me even though I can't believe in any of it.

In Britain, because I live here, I can also run into problems of envy and competition. But all this is just in a day's work for a writer. You can't put stuff out there without someone calling you a complete fool. Oh, well.

The claims I'm making for art are simply the claims that we naturally make around music or around poetry. We're much more relaxed around those art forms. We're willing to ask, 'How could this find a place in my heart?'

A city like London is sociable in a sense that there are people gathering in bars and restaurants, concerts and lectures. Yet you can partake of all these experiences and never say hello to anyone new. And one of the things that all religions do is take groups of strangers into a space and say it is OK to talk to each other.

I assemble my ideas in pieces on a computer file, then gradually find a place for them on a piece of scaffolding I erect.