Cole Sprouse

I focus on different parts of the body on different days. It's usually high-intensity circuits and a lot of body weight stuff.

Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.

My brother and I have a profound nostalgia for our youth, and I think people need to come to terms with things leaving and being gone.

If you're a photographer, you end up being the raw creative force that allows other people to see what kind of narrative you want to be giving or what kind of art that you want people to see.

I think Jughead is a pretty trustworthy character - not only a narrator. I think he might be selfish, but he's obviously selfish, and that is comforting to me. I also think he has a really strong moral fiber and a propensity for good, and he tries to cultivate that in other people.

To even be a working entertainer in Hollywood is such a rare privilege.

My closest friends are the ones who tell me that I'm being dumb or that I'm being wrong.

I've become obsessed with trying to figure out who I am against situations that make me uncomfortable and not settled, ensuring that that fear of stagnation doesn't allow me to flip into that bubble of privilege.

There comes a real loneliness in celebrity where you're constantly told you're part of an out group in your own society.

If someone feels afraid to tell you honest criticism, then you're never going to improve.

I needed to see if I could have fun in a project again, and 'Riverdale' was a project that ended up looking like a tonne of fun.

I take a lot of pride in my photography.