Colin Trevorrow

I live in Vermont, and we don't have a tax incentive there, and therefore, we don't have professional crew there.

There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.

I feel like, whatever movie I was making, there would always be moments of human intimacy and insight into a little bit of what makes us tick as people.

Jurassic Park' movies don't fit into a specific genre. They're sci-fi adventures that also have to be funny, emotional, and scary as hell. That takes a lot of construction, but it can't feel designed.

I like very human stories that venture into sci-fi or the supernatural or areas that I think occupy a lot of space in our collective memory for the films that we loved as children.

Jurassic Park' was able to get away with big, dynamic filmmaking that might be out of place in another kind of story.

We're surrounded by wonder, and yet we want more, and we want it bigger, faster, louder, better.

The best of all kinds of movies are character-driven, and I definitely don't want to lose sight of why Derek and I started to write movies together in the first place.

We live in a cult of the upgrade right now. There's always something around the corner that will make whatever you think is cool right now feel obsolete.

Small moments can coexist with big moments and even back right up against each other.

I love the challenge of having one character who is traveling back in time to find someone. Nowadays, the only way we think to find someone is on Facebook.

The public scrutiny element they don't teach you in film school. So few people are ever subjected to it.