Cory Michael Smith

I wasn't planning on doing musicals, but that's how I started.

One of the coolest ways to start building a character is the way he moves his mouth, what part of the mouth he puts his words into, how he expresses himself, and there's a certain flavor you get with a dialect.

Olive Kitteridge' is the only thing that I've done on camera where we had a day of rehearsal before we shot, and I'm so glad that that happened, because I was so nervous.

I like very confused people. The more confused, the more fun for me.

Forensic Files' is amazing! I love it! There were marathons happening all the time in college. That show, because it's always on at night, was always better than any scary movie I could put on, because it was 'real.'

I just love dialects; they're really fun.

I am not interested in entertaining people. I think being an actor provides an opportunity to give people an experience they can connect to, reflect on, learn from, laugh at.

You see a comic, and you're like, 'Oh wow: the Riddler has been drawn this way, and he's been drawn that way.' There are tons of looks, and his personality changes based on who's writing them.

In theater, you're allowed to take your time and sit in a role for a month before you have to share it with anybody. In film and TV, you have to just kind of show up and be ready to do that, which, to me, is very strange and crazy.

When I was auditioning for 'Gotham,' I got a handful of comics from different decades, so I had a perspective - it's been around for 75 years, which is a long time.

I went through a lot of occupations. I was questioning my contribution to the world.

You work on a play or movie, you have the whole script, so you're constructing a performance based on the bible that you have. In TV, you don't, so to actually invest in that and let that be the exciting part is terrifying and certainly leaves room for mistakes, looking back.