David Hepworth

You Must Remember This', the podcast about 'the secret and or forgotten history of Hollywood's first century', has a thread dedicated to Dead Blondes, which is a clue to where it's coming from.

Bombshell' is a remarkable podcast. In the course of it, three people who know what they are talking about cover 'military strategy, White House mayhem, and the best cocktails'.

It is the melancholy fate of all young legends to becoming better known for the things they did to exploit fame than the things that made them famous in the first place.

In 'The High Low', in some respects an audio version of 'Grazia,' Pandora Sykes and Dolly Alderton wonder whether they missed something in their survey of the Harvey Weinstein story. Maybe they did, they decide.

Back in the 1980s, state-of-the-nation fictions were all set in Manhattan. Now, they're all in Trump country. Early in 'S-Town,' we're introduced to an actual maze, every branch of which leads to a further junction. This may also be a metaphor.

The packaging of Led Zeppelin's IV doesn't have the name of the band, doesn't have the name of the album: It's got a guy on the cover with a load of sticks on his back. This record didn't quite get to No. 1 in the United States - it went to No. 2 - but stayed on the charts for years and years and years.

As more podcasts become available, it's becoming a challenge to keep everything in order.

All political careers end in failure, but few did it so quickly as David Cameron's. He came to power promising not to 'bang on about Europe' and ended up having the continent's name chiselled into the lid of his political coffin.

For a wide-ranging look at literary matters, the 'Book Review Podcast' from the 'New York Times' is still one of the best. Presented by Pamela Paul, each episode has an interview with an author - recent guests have included Neil Gaiman and Sana Krasikov - plus a roundup of the uppers, downers and hanging-arounders on the U.S. bestsellers chart.

Lucy Kellaway's columns in the 'Financial Times' lend themselves to podcasts because they usually consist of her giving a brisk ticking off to some CEO or subversively wondering whether we're really as busy as we pretend we are.

I loathe anyone impressed by fame or money.

Adrift With Geoff Lloyd and Annabel Port' features Absolute Radio escapee Geoff and erstwhile colleague Annabel doing something similar. All are appealing individuals with plenty to say, tentatively getting used to their new freedom to talk about anything.