Alexandra Daddario

My grandfather was a politician and lived in Washington, D.C., so as a kid, I used to go to D.C. every other weekend.

Boundaries move with time. It's like being the oldest child. Your parents don't know what to expect, but by the time the little sister comes along, it's like, 'Oh, staying out late with a boy - no big deal.'

I think, for different types of things, more rehearsal is very important.

When I was 10, 11, 12, 13, 14, I had so many people I looked up to and was so inspired by all these different people. It's cool to be in that position.

I've been pretty lucky. Every single thing I've done has meant so much to me and has been like a stepping stone to something different.

I never know what's going to happen or what opportunities are going to be given to me. I've found with the opportunities that I've been given have made it possible for me to explore different characters and exciting stories.

There's a method to the madness in filmmaking, where everything's very specifically laid out, the shots and what they need - but there also can be a freedom to allowing the actors to find genuine moments.

I think I'm sort of method in a sense, and I enjoy, you know, trying to find that reality in fake emotion.

I've gotten to the point where I've gotten comfortable with my awkwardness.

I'm obsessed with this show called 'Workaholics.'

For my first acting gig, I was a hand model for a Barbie commercial that was only going to air in Asia. And I was constantly trying to get my face in the shot.

That's a very scary thing to think about, being trapped in a coffin.