In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.

It's interesting because I haven't done a lot of period work in the past, but I always wanted to because I'm interested in history.

I usually look at things like that from an audience perspective first, then have a closer look at the specific character they're talking about me for.

Normally when I'm sent a script I'll read it through to see how it hangs as a story and then I'll go back and read it through again and look at the character.

I would like to explore comedy more. It's not something that I've done a lot of. Obviously, I'm very at home in drama. I like everything.

I'm very comfortable in my skin. Everyone has insecurities - I joke around about wishing I had more cheeks - but I'm happy with who I am. You have to make do with what you have. If you carry yourself right, you can make anything look good.

In 'Seesaw,' I played Gittel Mosca, and because it was a musical, I loved it more because I was able to do anything. I was able to use all parts of me that I don't get to use... the comedy and the singing and the dancing.

First off, I don't do self-deprecation comedy based on being fat. I would always talk about it honestly. Secondly, I don't care how much I weigh.