Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.

Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.

For me, choosing between fiction and nonfiction is really only about picking the right tool for the job.

I grew up reading the 'Village Voice' and wanting to be one of these multidisciplinary music writers, film writers, book writers. And I lucked out getting a job at the 'Voice' right after college.

I didn't really like opera. I liked cheerleading and boys and, later, smoking. So my opera career was cut short when I was 15. My dad got sick, and we couldn't afford the lessons, so I stopped and became a cheerleader and wrecked my voice.

I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.

I have been able to do a lot of great things during my career!

I'm always eager to work with people I admire, people who have experience, who've made mistakes and made great things. That's the greatest teaching I could ever get in developing my own career.