The thing with 'No Man's Land' is not to see it, but how to make people to go to see it. The one negative criticism I've heard is that the relationship between tragedy and comedy is so perfect that it becomes suspicious. I take it as a complement.

I'm an honest man. I am living my life. I'm not stealing. And I've never been ashamed of who I am - I am a Roma.

I don't think that 'No Man's Land' is a comedy. I think that it's a serious film with a good sense of humour.

When you make feature films, you have a script, which is a bible. The final result should be as it was written down on paper. And in documentary, you can write whatever you want, but life brings you situations where you have to be fast thinking, fast moving.

Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.

To invent, you need a good imagination and a pile of junk.

What matters to me as a creative artist is the credibility of the production house, the honesty in the script, and the way the filmmaker has conceived the characters in the narrative.

I like being in a collaborative and respectful environment. When you're in an environment spearheaded by ego and fear, it's the death of creativity.