When I was seven my parents divorced. My father went to Dallas. My mom fled to the shelter of my grandparents in a strange central Ohio town of 22,000, Wooster. When it looked like I was growing up to be a wimp I was forced to live with my father, which I did not want to do.

I bought a guitar when I was twenty. But I didn't write a song until I was 25 or 26. I never learned to play others songs. I learned to play my own songs while I was learning how to make them better.

I try every day and every night to find a movie or a TV show that I can watch, but I just can't make it past ten minutes of anything.

I believe that intermittent live performance has cut short the writing lives of touring musicians.

When I listen to music from different eras, I sense different things. The 1940s music, there's so much optimism and romance, maybe because they just solved the biggest problem on Earth at that time - World War II. In the 1960s, there was so much creativity and innovation in sound.

Music is rhythm, and all theater is rhythm. It's about tempo and change and pulse, whether you're doing a verse play by Shakespeare or a musical.

I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.

In theater, you're allowed to take your time and sit in a role for a month before you have to share it with anybody. In film and TV, you have to just kind of show up and be ready to do that, which, to me, is very strange and crazy.