The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.

Amateurs in professional situations make me very impatient.

Artistic development is a thing of the past, sadly.

I'm the last person to ask 'what do you remember' from a particular time period... I like to learn from the past... not 'live' in it.

I volunteered at Ayuda, in the office, on a regular basis, and I did everything from fingerprinting and interviewing persons of Hispanic origin who entered the country without inspection and who were seeking work-authorization permits.

People say, 'Well, why don't they get another job, why don't they pick themselves up by their bootstraps?' Well, the people that say that probably have the kind of jobs where they don't work that hard, so maybe they could have another job.

I feel blessed that I am able to play really dark guys in a business where they usually want you to play the same character over and over. Poor Michael Rapaport will being playing white homeboys till the day he dies. That's not the kind of career I want.

As a dancer, I know couples that have stayed married but separated to dance on different continents. Dance in general, but ballet in particular, is such a finite career. You can't do it later in life, and it's something that I think a dancer has to have some selfishness to fulfill.