Growing up, I really looked up to the classic Hollywood actors like Spencer Tracy, Robert Mitchum, and Peter Falk. I love character actors - I've never wanted to be the leading guy.

I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.

I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.

The area where I grew up in Birmingham was very diverse - I was aware of my race but not overly aware of it - and there seemed to be an understanding that we were all very much in the same boat.

If you took away all pain, if everyone lived forever, everything would be bland, flat and boring; there would be no reason for art, music, newspapers, love because we would all be in a mono state of happiness.

When I was a little girl, I did not listen to music much. I did not think that one day I would become a rapper. I was born in a very traditional and religious family. Being a female was destroying my dreams. Slowly, first through poetry and then music, I began to find ways to share my thoughts and feelings, talk to my family and to the world.

Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.

There should be no boundaries in your relationship with sound. Often it's not about the music itself but the context in which you hear the music. For instance, listening to a piece of classical music in a film you love often changes your perception of it entirely.