When I was growing up, there was no one. There were very few black women in tech; there were very few black women in the fashion game. We didn't have our Grace Jones - Grace Jones was before my time. We didn't really have a lot of black women in electronic and punk who were celebrated in the same levels as, say, your big mega-superstars.

Growing up, my parents were Roman Catholic - strict Catholics - from New Orleans. I understood the idea in the principle of spirituality. I noticed it in the stories that I read. The Trinity was something that was brought up consistently: the power of three. Things happened in threes, and I thought that was brilliant.

Redemption' is about understanding myself and not worrying about my relationship with the industry.

I always knew who I was, but everyone else wanted to me to be their 'idea' of the 'right' artist. At times, I even believed them.

I was blessed with a long career where I won gold medals for myself and my country. Nothing stands out as a disappointment.

I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.

It is my job to sell these fighters. I'm now a business partner of the UFC. What I do directly affects my paycheck. I try my best. I just don't want people to be indifferent.

Post 'Pink,' I figured out which direction I want my career to take.