Your memory is not my memory.

The future is not so interesting for me because the future doesn't exist. I am really focused on the contemporary.

For me, reworking the past over and over again is a way not to trivialise the garments and not to obsess over hem lengths. What I am interested in, as a matter of fact, is telling a story and, if someone sees fragments of other stories in it, be my guest. I don't have to justify myself. What is urgent for me is what I want to say.

The idea that a man should be wearing something different and more eccentric is obviously the oldest idea on earth.

I certainly don't walk around my home or being with my family and just using profane language all the time, but on stage, it's a constant.

I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.

If I was a parent or a kid, I would need a cell phone, and those things are invaluable, but my kids are out of the house now, and I am thrilled when I wake up to not have a cell phone, and feel like today is stretching out in front of me for 1,000 hours, as it seems.

My grandfather was a polygamous man, and he had two wives, and between him and his two wives, we are about 200 or so in our family.