I'm 48, and I have been in love with vampires since I was six. I was born in 1962, so I've been through three or four waves of vampires. When I was growing up, we had vampire shows and movies. We were still dealing with Bela Lugosi, Boris Karloff and the old Christopher Lee vampires.

I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.

Between New York and L.A., and all of us who are actors, I feel like we're just one big, cast repertory company, all running back and forth between the coasts and between different shows. There is a wealth of great character actors, who show up, here and there, on different shows. I love the fact that we're allowed to do that.

I somewhat resist the whole gay rights-vampire rights metaphor because it is fraught with problems. I don't want to be seen as a gay man as a blood-sucking killer. I don't think it is the way to win hearts and minds.

I mean this is a revolution in how campaigns work - more money was spent by super PACs than by either myself or John Faso. So what that means is that if you’re a voter in this district you are more likely to have heard from a super PAC than from me or my opponent.

I really love the independent movies and I just think that sometimes when they throw a lot of money into it and a lot of special effects and a lot of stunts that you lose the connection, the human connection and I personally love movies that are about the human connection.

I grew up in a very modest house. We were poor-we lived on the poverty level. We all got jobs as young kids.

We need to end unlimited, unaccountable money for all political parties by passing comprehensive campaign finance reform.