I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes.

The only one that seems to be able to hold the business is Disney. They do it is because they have a fabulous philosophy about marketing- but even they wavered.

We're waiting for the pendulum to swing back again, which I am absolutely confident it will.

I think we have to bottom out. When the studios jump out of the ring, perhaps the artist can get back in.

If I'm on holiday, I travel light, but if it is a work trip, I take everything but the kitchen sink.

To go into therapy is an adventure, not really to iron anything out.

I travel a lot for work and have people waiting outside my hotel or call my room constantly or show up at whatever restaurant I'm eating at because I Snapchatted. It is a little terrifying.

I'm certainly a real homebody. But the truth is that I understand that desire to, in a way, go join the circus. That's what got me out of Long Island and into show business. I was like, 'I'm just going to have an adventure. I want to be a person that isn't surrounded by their mail and their cat.'