One of the things I love about our source text as Christians, the Bible, is that it teaches us not to avoid conflict. And it teaches us that before the fall of man, in Paradise, there was conflict. God wants conflict to be a part of your life.

If you have a beautiful story, it has to have conflict. If you don't have conflict, it can't be a good story.

I think, in the grand epic, Jesus is the hero of our stories. And our stories, as they were, are subplots in a grand epic and our job is not to be the hero of any story. Our job is to be a saint in a story that he is telling.

I started 'Storyline' after I'd accomplished all my goals and still wasn't happy. I'd become a 'New York Times' bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.

During my first years in the Sierra, I was ever calling on everybody within reach to admire them, but I found no one half warm enough until Emerson came. I had read his essays, and felt sure that of all men he would best interpret the sayings of these noble mountains and trees. Nor was my faith weakened when I met him in Yosemite.

When once a certain class of people has been placed by the temporal and spiritual authorities outside the ranks of those whose life has value, then nothing comes more naturally to men than murder.

Traditional arguments for the existence of God and contemporary attempts to use fine-tuning and cosmology to back up the case for his existence always strike me as kinds of games, since hardly anyone believes on the basis of these arguments at all.

A person once asked me, in a provocative manner, if I approved of homosexuality. I replied with another question: 'Tell me: when God looks at a gay person, does he endorse the existence of this person with love, or reject and condemn this person?' We must always consider the person.