There's a lot of romanticisation of the intuitive actor and method acting and all kinds of notions about getting inside a character and coming out from there.

People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.

I don't have anything to prove to anybody, which is a lovely place to be.

I remember as a kid having the offer of a scholarship, that it was going to be like going to Mars, and deciding to stay in my public school.

I want to make sure that when I walk down the aisle, I can see all my best friends, and I want to see their faces smiling back at me and not any random people.

When most people set out to change their lives, they often focus on all the external stuff, like a new job or a new location or new friends or a new romantic prospects and on and on. The reality is that changing your life starts with changing the way you see everything in your life.

You want to show your people that you value them, and you're not going to hurt them just to get a little more money in the short term. Not furloughing people breeds loyalty. It breeds a sense of security. It breeds a sense of trust.

What I love about 'Save Me Tonight' is that it came to be through friendship. It was a perfect scenario for friends to come together and create.