I had been in a professional boys' choir, and as a boy soprano, you're aware that your voice has an expiration date.

My fascination with women's clothes began very early. My mother was a very fashionable woman. She also made her own clothes. She had these fashion magazines, and I would draw the women in them. My middle school art teacher suggested that I have a fashion drawing show.

ACT UP was trying to explain to Americans that AIDS could affect all of us: that health care that ended once your disease was expensive could affect more than gay men with HIV or AIDS. We were trying to tell them about the future - a future they didn't yet see and would be forced to accept if they failed to act.

My singing voice had rescued me from the scene I was in at school - I was an unpopular, bookish kid who had an indeterminate ethnic background. I became fascinated with women sopranos because they had a future that I didn't as a singer.

I wanted to write a commentary on the Bible, to write about the Talmud, about celebration, about the great eternal subjects: love and happiness.

I associate music with fun and joy.

I'm just dealing with what's happening, with what is. Joy, happiness, good, bad, all those terms are meaningless to me.

When our players come from somewhere else, they sometimes show happiness when the game is 0-0 or 1-1, but we were brought up in an environment where we have to win. We are not satisfied with 0-0 or 1-1. This is the mentality of Bayern Munich.