Never Die Alone' is primarily a riveting genre film that neatly exhibits the director's growing assurance - Donald Goines would be proud.

Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'

Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.

Work used to be the No. 1 important thing to me. Everything revolved around it, and to have a new perspective and have something else, my family, not just being a mom but being a part of an incredible family of my own, it makes me have a different perspective on life that I think is richer.

My family and I are just regular folks, just trying to get through the day and do the best you can and pay the bills, and that's who we're singing to.

For women, Neo-Confucianism placed extra emphasis on chastity, obedience, and diligence. A good wife should have no desire other than to serve her husband, no ambition other than to produce a son, and no interest beyond subjugating herself to her husband's family - meaning, among other things, she must never remarry if widowed.

Everyone in my family is in the film business; I knew I wanted to be creative and it was important in my family to be artistic.