Never Die Alone' is primarily a riveting genre film that neatly exhibits the director's growing assurance - Donald Goines would be proud.

Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'

Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.

I really just want to do the best at everything I do. I just want to have all the great people around me that I feel is family, as well as my friends, and I have an amazing girlfriend. I think having love in your life is most important.

It is very common for people to come up to the cast members and say, 'Our family is OK now because of 'Transparent.''

My whole family are wrestlers; I was brought up in the business.

I've always wanted to get into acting, ever since I was younger. I'd put on shows for my family and run around play dress-up all the time. I think I was 4 when I told them I wanted to do movies.