First and foremost, stepping into something like a Marvel project is insane. I mean, my character is from 1968, and she's the second female X-Men ever. It's exciting, but it's also a great amount of pressure to do right by the character.

I definitely am the sort of person that likes to be constantly learning things.

It's great being on a show where your cast members are actually fans of the show.

Magneto is classically known for being, like, a caricature of a supervillain who gives a lot of speeches, likes to fly up, teach people a lesson, make society look at themselves.

Americans don't like puns and plays on words, which is totally opposite in the comedy world to France or even Italy and Germany.

I don't sell myself. I've never explained my comedy to people who don't get it. Never complain. Never explain.

I suppose I walk that line between comedy and cruelty because I think one illuminates the other. We're all cruel, aren't we? We are all extreme in one way or another at times and that's what drama, since the Greeks, has dealt with.

Among my friends, I'm not a little Boy Scout, and they love my humor, thank God.