Stand-up came out of three things. Frustration, necessity and arrogance. I didn't have a great career ahead of me in anything. Someone literally said to me, 'You should try stand-up,' and took me to a venue.

You'll read things and say, this is a really good project and it's probably going to be a hit, but I can see 20 other people playing that part. You have to have some sense of ownership to do a good job and be married to it for ever.

When I go on the plane to fly home, I'm literally capable of forgetting what I do for a job. That also comes about because I choose to take massive breaks between projects, and because I choose to do this ridiculous thing of keeping home, home.

I always find that 90% of the performance, for me, is about what comes from inside.

When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.

The scariest thing about screening a comedy... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.

Common sense and a sense of humor are the same thing, moving at different speeds. A sense of humor is just common sense, dancing.

But if you read Jane Austen, you know that she had a wicked sense of humor. Not only was she funny, but her early writing was very dark and had a gothic tone to it.